![]() I was really close to him before, but he cut off the relationship entirely because I'm trans. The way my mom puts it to me is that he thinks I'm dead to him. Because she's seeing the happiness in me, I guess we now have a closer bond.īut I also have some uncles who refuse to acknowledge my existence now. Since I started transitioning, it's been very positive, because she's seeing I'm happy now for the first time in my life. I used to have a horrible relationship with my mother. All of these things came from this problem of having this hole really deep within myself that I didn't know how to fill.įor the most part, my family took it quite well once I explained a lot of it to them. That led to problems in my marriage, and I was unfaithful in my marriage. It's not something that's fun to talk about, but it's one of the ways my feelings presented themselves. I had a period in which I was absolutely lost in internet porn. I got engaged, I got married, I had children.īut throughout this entire time, I was absolutely a miserable human being. "You can't be trans because you like sports."Īs I got older, I went through a process in which I started doing things in part because they were the things that "normal men" do and these things would quiet my feelings. "You can't be trans because you like girls," I would tell myself. But I was incredibly adept at making up reasons I couldn't be trans. I would voraciously consume all the information I could possibly get about transgender people and the process of transitioning. When I went to college, that was the beginning of the internet taking off. So there were little hints even back then. I was a little confused, but I didn't think much of it. "No! He's a boy!" What's funny is I look back at that and remember I wasn't offended. An older guy bumped into me and said, "Oh, I'm sorry, little girl." My dad went off on this guy. One time, my dad and I were in hardware store. When I was 8 or 9 years old, I started to have this feeling that something was different about me, but I didn't know what it was. Then the fear would creep in, and I would purge everything and try to get it out of my mind. I would do that for a very short period of my time. Throughout my career, there would be occasional interludes in which I would be my authentic self. But as I neared retirement, I became less comfortable with coming home. I deployed twice, in Europe and the Middle East. I went through my three-plus-decade career. I worried about my kids and my spouse if I came out in the military, because I would be without a job. I had two beautiful, wonderful kids and three grandchildren. Being in the military, that was one of the things I would be discharged for. ![]() It was probably during that decade in the '70s that I realized what I identified with.īy that time, it was a bit stressful for me. So I never acted on it.īy the time I was 20, I had graduated from high school and joined the military. As a child of the '50s and '60s, I came from a conservative, blue-collar family with a Catholic background. I knew from a very young age that there was something different about me. I was like, what's FTM? I opened the book, and it changed my world. When I was in college, maybe about 18 years old, I saw a book at the LGBT center called FTM. It's not that simple for a lot of people. I use that word - journey - because it contrasts from a definitive time stamp. But it's only because I wasn't aware of the possibility.įor me, it was definitely a journey. I was totally fine with my gender as a youth, although I behaved masculine. At that moment, I was just like, "Oh, this is a possibility for you." I thought it would make sense because I would live a much happier life if I was able to medically transition. I wasn't aware of that previously.īut I don't know if it was a feeling or anything. But it was at that point that I realized I could undergo medical transition. I've always presented my gender by dressing the same and acted like the same person. It was a long-term realization, from birth to the moment I decided to live socially as a male. I accepted that being trans is part of my life's journey around 24 years old. Writer, filmmaker, entrepreneur assistant, activist.
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This methodology will be mobilised here in the case of hip hop, tracing the genre’s emergence and spread across the globe to provide a functional model of the role of music in IR. In the cases of the Brazilian bossa nova and Fela Kuti’s innovation in Afrobeat, Inayatullah traces the movements of musical motifs and artists’ careers in their international context to glean insights into how music embroils itself in and relates to wider power structures. This study follows the qualitative biographical approach utilised in Frederic Ramel and Cecil Prevost-Thomas’ collection of articles ‘International Relations, Music and Diplomacy’which perceives an “acoustic turn in IR”, as well as in Naeem Inayatullah’s “Gigging on the World Stage: Bossa Nova & Afrobeat After De-Reification’. In particular, Jessica Gienow-Hecht’s chapter ‘Nation Branding’ talks of the “power in being respected and listened to”. Inadvertently, the case of hip hop has a great deal of symbolic relevance to Selbin & Nayak’s call to recognise other modes of information in IR in order to alleviate its centring on Europe and the West, not only utilising oral methods of sharing knowledge but directly evolving out of these African historical traditions. Following these warnings, this research paper positions itself alongside aesthetic approaches to IR in order to highlight the value and causal importance of lived international reality beneath the dominant and well-recognised flows of power. For instance, Selbin & Nayak describe how the African oral historical tradition has been neglected in studies of IR in favour of traditionally European modes of information and, as such, Bleiker advises that we “forget IR theory” altogether in order to “escape the vicious circle by which these social practices serve to legitimise and objectivise the very discourses that have given rise to them”. ![]() Īt a broader level, these approaches suggest that dominant studies of IR, such as realism’s emphasis on power dynamics and international structure in explaining international reality, miss something fundamental in the lived reality for groups around the globe. ![]() For Selbin & Nayak, decentring IR is not simply about “inserting case studies from around the world” and an aesthetic approach can be seen to be particularly useful here, mobilising alternative modes of study that allow us to confront “the way we talk about, share and experience these narratives”. This approach aligns itself with what Eric Selbin & Meghana Nayak describe as the ‘centring’ of IR on voices from the global north/west, “ certain political projects” and “completely multiple ways of understanding and living in the world”. Instead, aesthetic studies of IR recognise the inevitable distance between the represented and their representation and thus take representations themselves as a fundamental unit of analysis, generating a “more diverse but also more direct encounter with the political”. “Representation is always an act of power” according to Robert Bleiker’s ‘The Aesthetic Turn in International Political Theory’, describing a shift away from mimetic approaches to the discipline which seek to “represent politics as realistically and authentically as possible”. Thus, hip hop is positioned as possible study material in IR to explore the role of lived experience and individual agency beneath the visible flows of power that are already so well recognised in the discipline- in effect, this discussion balances the importance of ‘keeping it real’ against ‘keeping it realist’ in studies of IR. As such, a qualitative study of hip hop’s emergence and spread around the globe, tracing particular musical motifs and artists’ careers is advanced to assess to what extent the genre serves to challenge these existing understandings in IR. At a wider level, studies of IR tend to neglect the role of individual agency in favour of explanations resting on global power relations and structural forces. This, in addition to its spectacular spread globally and malleability in being able to take on localised meanings and sounds, makes it difficult to square with existing understandings of music in IR which conceptualise the role of sound in terms of top-down forces and domination by institutional, national and commercial interests. Hip hop places a particular emphasis on marginalised groups and ‘keeping it real’- a popular phrase in the hip hop community reflecting the importance of behaving and sharing messages consistent with ones’ personal experience. Some hand showers also come with a sliding bar or bracket that allows for easy adjustment of the height and angle of the showerhead. The hose is usually made of a durable material such as stainless steel or plastic and is designed to withstand high water pressure and temperatures. Specialists in Gas, Wood, Electric & Biofuel Fireplaces, Firepits. 'A house with no fireplace is a house without a heart'. 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While “Galaxy Quest” is the ultimate homage to “Star Trek” fandom, “USS Callister” delivers us a brilliant parody of the original series itself, interpreted through the psyche of an anti-social coder. “Black Mirror: USS Callister” Jonathan Prime “Black Mirror” can weave an intricate plot if it wants, but sometimes this kind of focus on one relationship leads to the most satisfying kind of story. And the overriding, conflicted nature of her life-salvaging purchase gives Hayley Atwell the chance to deliver one of the best performances in the run of the series. It’s not easy to imbue a robot with just the right amount of personality to seem both loving and frightening all at once, but it’s a divide that Domhnall Gleason manages to pull off. Proof that the show can do romance just as good as any darker human emotion, the unconventional love story between a woman and the replicated android version of her late husband is a consideration of what makes us human and what we are willing to sacrifice for our own version of happiness. While some of the most potent “Black Mirror” episodes focus on people trying to escape things outside of their control, this episode is proof that getting exactly what you want can be just as paralyzing. “Black Mirror” has always had a fraught relationship with social media, but it’s the way Brooker slips in some insidious cell phone surveillance thread into this story that, along with Chris’ unhinged outbursts, make this the only Season 5 episode to leave the audience with a lingering sense of dread. ![]() It’s an uncertain swirl of anger, regret, and doubt that even extends across a transatlantic satellite phone when Topher Grace’s Jack Dorsey-esque tech CEO enters the mix. Both Scott and Damson Idris (as Jaden, the hostage in this international negotiation) anchor the tension here, especially when the two are confined to a car in the middle of an empty field. ![]() So if there’s a problem with “Smithereens,” it’s that the tech-based motivation of a distressed rideshare driver Chris (Andrew Scott) seems shoehorned into an otherwise-gripping kidnapping tale. The best episodes of “Black Mirror” feel like they couldn’t exist as part of any other series. “Black Mirror: Smithereens” Stuart Hendry / Netflix (Also, this episode does have Hayek shouting “Paragraph A can suck my dick!” so that’s not for nothing, either.) Time will tell how potent this chapter ends up being outside the context of the ongoing WGA and SAG strikes, which should make for some illustrative future context. Like those, your enjoyment of this is almost entirely dependent on how well you respond to the one track it sets itself and stays on for almost its whole runtime, Salma Hayek-as-herself-subplot and some other trickery notwithstanding. This show has a growing tradition of episodes based around watching one person melt down as their entire perception of reality is shattered (see also: “Nosedive,” “Entire History of You”). In maybe the strongest “call coming from inside the house” episode of the show so far, Brooker and director Ally Pankiw turn their attention to Joan (Annie Murphy), whose life is inverted when she finds out a streaming series is recreating her life in real time. “Black Mirror: Joan Is Awful” ©Netflix/Courtesy Everett Collection It’s bleak enough to pacify the most masochistic technophobe, but ends with a parting message that offers the faintest bit of hope that the future isn’t as unconquerable as we might think. But what this episode truly delivers is an overwhelming sense of physical terror, the starkest example of characters wrestling with their own bodies - and even their own souls. With allusions to past installments and extensions of others, it’s the “Black Mirror” equivalent of a bonus track. Rolo Haynes (Douglas Hodge) is as good a narrator as he is an unreliable one, making for a tour guide through the show’s cemetery who delights in the twisted artifacts of his own creation. As a road-tripping visitor (Letitia Wright) stops into a gas station collection of technological curiosities, the accompanying trio of shorter stories make for a bizarre trip through the show’s self-contained history. “Black Mirror: Black Museum” Jonathan Prime / NetflixĪs gutsy a season finale that the show’s put forth so far, “Black Museum” is somehow both a love letter to the series and a massive grenade designed to blast it to smithereens. ![]() Leaves all skin tones with a healthy glow.Seamlessly blends into all skin tones to offset whitening effect of mineral sunscreen.100% mineral sunscreen filters create a protective film on the skin’s surface to help reflect UVA/UVB rays.Unlike many other tinted sunscreens, Hydrating Sunscreen Broad Spectrum SPF 30 Face Sheer Tint is also formulated with soothing niacinamide and hyaluronic acid to help maintain the skin’s natural moisture-while leaving a sheer, natural finish that blends seamlessly with the skin. 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Rename the folder to trex-miner for simplicity (right click and choose Rename.).Move the extracted folder to your home directory by dragging or copy-pasting it there.Extract the miner from the tar.gz-file (right click and choose Extract Here).Browse to the Downloads folder using the Files explorer.Download the last version from their Github here.With the file opened in the nano editor, switch off the updater by changing values from 1 to 0:įor this example, let's look at the currently popular miner T-Rex. To disable them, edit the following file: To keep your system updated manually:Īutomatic updates might interfere with your miner. IMPORTANT: Disabling automatic updates creates a security risk. Change power setting (in my example I lower power from 120W to 100W):.Look up current power setting to figure out what ~70% needs to be:.Enable persistent mode so that settings persist after a reboot:. ![]() Most miners want to set their power to ~70% to save energy costs. This list is available in the lower left corner of the desktop. To overclock the cards you can adjust the settings in the NVIDIA applications that is listed in the applications list. | Fan Temp Perf Pwr:Usage/Cap| Memory-Usage | GPU-Util Compute M. | GPU Name Persistence-M| Bus-Id Disp.A | Volatile Uncorr. This will return something that looks like this (make sure all GPUs are found): Verify the version of the CUDA Toolkit nvcc -V Reboot Installation verification Verify the Driver Version cat /proc/driver/nvidia/version Set configuration sudo nvidia-xconfig -a -cool-bits=28 -allow-empty-initial-configuration Type Ctrl+O ENTER to save and Ctrl+X to exit With the file opened in the nano editor, scroll down and add at the bottom:Įxport PATH=/usr/local/cuda-10.0/bin$ Post-installation Actions Add location of CUDA drivers to the PATH Wget Install CUDA drivers sudo dpkg -i cuda-repo-ubuntu1804_10.0.130-1_b Install required third-party libraries sudo apt-get install build-essential dkms freeglut3 freeglut3-dev libxi-dev libxmu-devĭownload and install the NVIDIA CUDA Toolkit Download CUDA drivers cd ~/Downloads Verify the System Kernel Headers sudo apt-get install linux-headers-$(uname -r) If an error message displays, you need to install the development tools from your Linux distribution or obtain a version of gcc and its accompanying toolchain from the Web. The remainder gives information about your distribution. The x86_64 line indicates you are running on a 64-bit system. Verify you have 64 bit Ubuntu 18.04 uname -m & cat /etc/*release If your graphics card is from NVIDIA and it is listed in, your GPU is CUDA-capable. Reboot Verify that you have a CUDA-Capable GPU lspci | grep -i nvidia Pre-installation Run Updates sudo apt-get update This guide is heavily inspired on the more comprehensive guide by NVIDIA that also describes installation steps for other Linux distributions. This guide will further guide you through the steps to set up your system NVIDIA CUDA drivers. Ubuntu provides very user friendly tutorials to guide you through the installation.The easiest way is to install from a USB stick.You can download the ISO of 64 bit Ubuntu 18.04 here.This guide will help you set up Ubuntu on your PC and help you start mining with NVIDIA GPUs. 7 Change power and or overclock settings.6.2 Verify the version of the CUDA Toolkit. ![]()
For the lips, I applied C hanel Levres Scintillantes Glossimer no. For the blush, I mixed MAC Well-Dressed and MAC Fleur Power and applied it on the cheeks.ġ7. For the under eyes, I applied M UFE concealer.ġ5 For the contour, I applied MAC Shadowy on the hollows of the cheeks, temples and sides of the nose.ġ6. For the face, I applied MUFE HD Foundation using a Sigma Round Kabuki brush.ġ4. Below the brows, I applied MAC Blanc Type lightly using a flat eyeshadow brush.ġ3. I curled my lashes and applied Maybelline Volume Express Turbo Boost mascara on the upper and lower lashes.ġ2. I filled my brows in using Chanel brow pencil in Mistre.ġ1. It is perfect for a plum smoky eye, it looks good with any eye color. It is a permanent eyeshadow that retails for 17.00 and contains 0.05 oz. 84 would repurchase 4.2/5 package quality price range Write Review More reviews, photos and discussions for MAC Cosmetics Reviews Filter by age Sort By 5.0 from ZabelZ 5 years ago This is definitely a staple shadow for me. ![]() Using a clean blending brush, I blended the edge of the outer V to erase the harsh line.ġ0. MAC Sketch is a very cool-toned, medium-dark burgundy with a satin finish. A web app for everyone else to browse, give feedback, inspect, and handoff in any browser. A Mac app for designers to create, team up, prototype, and more. I also added Smashbox Blackout eyeshadow along the line to set it using an angled eyebrow brush.ĩ. Sketch Design, collaborate, prototype and handoff. Along the upper lashline, I applied MAC Smolder eyeliner and smudged it using a pencil brush. I lined my waterline using MAC Chromagraphic eyeliner in NC30.Ĩ. Using an angled eyeliner brush, I applied MAC Woodwinked on the inner corner of the lower lid and applied MAC Mulch on the outer corner of the lower lid.ħ. I used a clean blending brush to blend the edge of the crease.Ħ. Using a small fluggy blending brush, I dipped the brush very lightly into MAC Bronze eyeshadow and blended it on the crease.ĥ. Using a small shader brush, I applied MAC Sketch on the outer V and crease of the eye.Ĥ. Using a fluffy blending brush, I applied MAC Mulch on the outer corner of the lid.ģ. Using a flat eyeshadow brush, I applied MAC All That Glitters all over the lid.Ģ. ![]() It’s so simple and easy without being too overpowering.ġ. I think this look goes with anything! Bridal, prom, date, night-out. If you’re having difficulty doing a smoky eyes makeup using black, try using brown, it’s more forgiving.įunny enough, quite a few of brides also like this type of makeup, especially for those who prefer a more natural look. Brown smoky eyes will look great on any eye color, especially blue and green! In this tutorial, I layered a few different browns to warm up the eyes and it’s okay if it is messy! It gives that bedroom eye vibe, without looking like a panda ). Who says we have to stick to black and grey in creating a smoky eyes look? Brown gives a more softer approach, and definitely warmed up the face. Discover when events are taking place, and on the dates that are most convenient for you. With our easy-to-use interactive event calendar above, you can find the best seats for TidalWave Music Festival. Click on any of the Venues in the filter to display only the events for this performer at that venue. ![]() ![]() Take a look at the ‘Filter Events’ section at the top of this page for a list of scheduled venues for TidalWave Music Festival. To find event listings of TidalWave Music Festival tours at certain venues or by certain dates, please use the filter at the top of this page. Your tickets will in most cases be transferred to your mobile device or downloaded instantaneously. We want you to have a pleasant ticket purchasing experience. There's no need to stand in line at the venue box office for TidalWave Music Festival when you can grab the finest seats for the show with CheapoTicketing. The average ticket price for this event is $174.00. There are currently 5 tickets still available with prices ranging from $174.00 to $174.00. The venue is located in Atlantic City, NJ (US). The last scheduled event is TidalWave Music Festival on 1:00PM at Atlantic City Beach. The average ticket price for this event is $258.00. There are currently 9 tickets still available with prices ranging from $224.00 to $314.00. The next scheduled event is TidalWave Music Festival on TBA at Atlantic City Beach. You will have a better time viewing this event if you know where you will be seated before purchasing your tickets. With a mobile-friendly and easy-to-use interactive seating chart, we've made it simple for you to discover amazing seats for TidalWave Music Festival. If you're going to a TidalWave Music Festival event with friends or family, CheapoTicketing offers you the best selection of seats available. Use the filter available above to search events by Day of the Week (Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday), by certain Months (January, February, March, April, May, June, July, August, September, October, November, December) or specific Dates. The schedule for TidalWave Music Festival lists all available events. Whether you want to experience live sports, concerts or theatre events, CheapoTicketing will have the tickets for you. ![]() ![]() The majority of the time, popular events sell out quickly. If this is really a must-see event for you, you should purchase your tickets from CheapoTicketing as soon as you find something you like. It is not guaranteed that if you wait to buy last-minute discount tickets for TidalWave Music Festival, the prices will fall. If you want to wait to try and purchase tickets at the lowest price, research suggests that the best prices are found 3 to 7 days prior to the event. While this can sometimes save you money, it also greatly increases the risk of missing out on the TidalWave Music Festival show because it may be sold out. You might try to save money by waiting until the last minute to purchase cheap tickets. Once you choose your specific event you will be able to sort and filter the tickets by price and location. Pricing ranges from $174.00 to $435.00 with an average price hovering around $239.33. The price of your ticket for TidalWave Music Festival will vary based on the event, the event date as well as the location of your seat. We offer tickets for all 4 scheduled events for TidalWave Music Festival. Whether you’re looking for tickets for this month, this weekend, today, tonight or any other future date, CheapoTicketing has you covered. |
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